01

The work

Individual experimental art project

The Silence of White

THE SILENCE OF WHITE

The Silence of White is a participatory installation about coral bleaching. Visitors place coloured ice on white canvas and watch the colour spread and fade as the ice melts. Four postcards connect to four AR stories that explain the environmental context.

Context
Exhibited at Tianjin Academy of Fine Arts Museum
My work
Concept development, material experiments, physical installation and AR stories
Hanging canvas, floor installation and four AR postcards at the exhibition
The installation at the exhibition: hanging canvas, floor installation and four AR postcards.
02

Coastal memories and material choices

As a child, I saw pale coral remains by the sea without understanding what they meant. When I later learned about coral bleaching, those images came back to me and became the starting point for The Silence of White.

I wanted visitors to see colour change over time, so I chose coloured ice, white canvas and shells, making melting and changes in colour part of the work. The installation explores my concern about coral bleaching; it does not precisely simulate the biological process.

Ice blocks
As the ice melts, the appearance of the installation changes.
Colour
Colour is released as the ice melts and gradually spreads across the canvas.
White canvas
White canvas makes the flow of colour and changes in its intensity easier to see.
Shells and other materials
Shells and other materials remain on the canvas after the ice has melted.
Shells and other experimental materials on a white surface
Shells and other materials used in the experiments.
03

Place, melt, leave a trace

Visitors decide where to place the ice. It then melts slowly, spreading colour across the canvas. These photographs and videos record the work at different points in time.

Placement preview · muted

01 / Place

Visitors choose the ice blocks and where to place them. As each block melts, colour begins to spread from that spot.

Hanging canvas, floor installation and postcard table at an early stage
The installation at an early stage, before the colour had spread fully.
Watch the full participation recording (with sound)
Melting preview · muted

02 / Melt

As the ice melts, colour spreads across the canvas on the floor. On the separate hanging canvas, colour runs downwards, with different colours overlapping and leaving lighter and darker traces.

Watch the full melting recording (with sound)

03 / Traces

As the ice gradually melts, colour spreads across the canvas while shells and other materials stay where they were placed.

Coloured ice and spreading pigment on the horizontal white canvas
Coloured ice melting as pigment spreads across the canvas.
An orange melting ice block and its surrounding pigment
An ice block and the colour spreading around it.
Blue, pink and orange pigment flowing down the hanging canvas
Colour running down the hanging canvas.
04

Four postcards and four AR chapters

Melting ice shows changes in colour, but cannot explain all the environmental issues behind coral bleaching. I designed four postcards with QR codes, each opening an AR chapter, to tell a connected story about the pressures affecting coral environments.

Four complete physical postcards with shells on their display table
Four physical postcards, each linked to an AR chapter.
A tablet showing the first AR environment beside a physical postcard
Viewing a postcard’s AR content on a tablet.
  1. Choose a postcard
  2. Scan its QR code
  3. View the AR chapter
  4. Move to the next postcard

Chapter 01

AR chapter preview · muted

A living coral environment

The first chapter shows colourful coral and marine life.

Play full chapter (with sound)

Chapter 02

AR chapter preview · muted

Human activity and disturbance

The second chapter brings human activity and pollution into the scene, showing disturbances to the marine environment.

Play full chapter (with sound)

Chapter 03

AR chapter preview · muted

Marine life under change

The third chapter focuses on how environmental changes affect coral and other marine life.

Play full chapter (with sound)

Chapter 04

AR chapter preview · muted

Waste and a bleached landscape

An hourglass, seabed waste and a hermit crab using a discarded drinks can as its shell appear in sequence. The story ends in a pale coral environment.

Play full chapter (with sound)
05

Exhibition and reflection

At the exhibition, visitors could choose and place coloured ice, and view AR content through the postcards. As the ice melted, the installation continued to change.

Visitors viewing the installation in the museum
Visitors gathered around the installation.
Visitors gathered around the horizontal installation
Visitors looking at and taking part in the floor installation.
A visitor with postcards watching AR on a phone
A visitor viewing a postcard’s AR content on a phone.

Artist’s reflection

Participation and understanding

At the exhibition, visitors chose where to place the ice, changing the distribution of colour and traces on the canvas. Looking back, I cannot tell from their participation alone whether they understood coral bleaching.

The project made me realise that getting someone to take part and helping them understand what a work is saying are two different things. In my later interaction design work, I began to pay more attention to the connection between them.

The original hanging surface with blue, cyan, purple, orange, pink and red pigment paths
Colour traces on the hanging canvas.
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